Saturday, October 31, 2015

Considering Types

How Should I Argue?


Klotz, Mark "Logical Fallacies 2" (4/26/2010) via Flickr
Attribution-NonCommercial 2.0 Generic Creative Commons License


In this post, I will be looking at which types of arguments I can make. I will look what types of arguments I'm considering using in my Project 3.

I've already decided on which type of argument I'd like to carry out in my text, and since I want to propose a better solution to libraries dealing with book banning, it seemed like the Proposal Argument was perfect. I hope to incorporate evaluation, causes, refutation, and position into my text to support my solutions, but my main purpose is to use those to support my proposal for adding programs to libraries to revamp the tired Banned Book Week model of dealing with book banning and censorship.

Reflection: After reading Addie and Breanna's posts, I realized that my genre will really define how I propose solutions and who I reach. I think this process has helped me settle on my Genre, and I also have a more refined idea of what I'm going to say in my public speech act. This has also helped me recognize that I need to tailor my text to not just my audience but my context as well. Now that I have a strategy, I can go ahead!
Addie's Posts: Rhetorical Action Plan    Considering Types
Breanna's Posts: Rhetorical Action Plan    Considering Types

My Rhetorical Action Plan

Lights! Camera! Rhetoric!


zebedee.zebedee "funny-pictures-evil-plan-almost-complete" (10/24/2008) via Flickr. Attribution 2.0 Generic License.

In this post, I will outline my audience, genre, and potential responses for Project 3. This is my detailed 'Action Plan.'

Audience
  • Librarians, patrons
  • Librarians will know quite a lot about book banning and censorship through their schooling and training in Information Sciences, while patrons might not know as much due to their focus on usually centering on entertainment media (which may or may not be banned).
  • As members of the library system, my audience will view the freedom and diversity of information as important, if not essential; they will also see book banning as a negative process
  • Research of or concerning library systems and their relationship with censorship and how they address banned books will be essential to persuading my audience. This evidence might need to be more thoroughly explained or put in context of my argument for the audience to understand their relevance.
  • My audience may respond to book covers of banned material and images of Banned Books Week may inspire the audience to view libraries as essential to respond to this issue, and can see what is on the table: community and information.
  • My audience needs to understand that Banned Books Week isn't enough, and that we need to delve back into battling the book banning movement, because the job's not done.

Genre
  • I will be writing a blog post or article that might be found on a popular new site such as the New York Times, or a quick reference guide to "Book Banning: How Libraries Have Fallen, and How They can Rise Again" that would be found in a similar place. 
  • This genre is meant to present an issue or event in a certain light. I chose this genre because my audience will most likely be interested in news pertaining to the library system, and may access news sites more than blogs because they are more constantly checked and updated so that we can know what's going on in the world.
  • I may use my field of study, my employment at a library, and the amount of research I've done to gain credibility (ethos). I will most likely use banned book descriptions, personal narratives, and shocking statistics to incite emotion (pathos). I will cite the pillars of the library system, the activity levels of book banning, and juxtapose the content of banned books with the reasons why they were banned to create a logical (logos) argument.
  • I may include a few images, and potentially a visual of the statistics I plan to use.
  • I think it will be informal / conversational so that I can make it more comfortable for librarians and patrons alike to read.

Positive Reactions
  • The library needs to do more!
  • We should get involved!
  • Why is book banning still a thing?
  • I didn't realize this was still an important issue!
  • Let's go do something about this!
  • We need to add more programs to our library system to make a stronger stand against book banning.

Negative Rebuttals
  • Why does this still matter?
    • Response: This issue will matter until it is eradicated - if any book or information is barred from someone, it will matter - and even then it should be remembered so that we don't make the same mistakes again. 
  • We already have Banned Book Week, isn't that enough?
    • Response: While Banned Book Week is certainly great, it's becoming a tired program that usually is the sole representing body of this issue; we need to support it with smaller initiatives that are year-round and / or more spread out through the year - if book banning is still being carried out, the library should be doing something about it. 
  • Book banning isn't that bad, so we shouldn't care anymore.
    • Response: Book Banning may seem reasonable at times, but in reality bars potentially formative and crucial information from people; while it may seem well-intended, it is used to suppress individuals and their growth in knowledge.

Thursday, October 29, 2015

Analyzing Purpose

Reigniting a Stagnant Debate



My argument should bring something new to the table of the Banned Books debate. After looking at the context of my debate, I got a few ideas of how I could do this. I also mapped out my purpose alongside potential audience reactions.

My controversy seems stagnant or outdated, mostly because everyone seems to be under the delusion that Banned Books Week has solved everything. I plan to prove that book banning is still an issue that needs to be more effectively addressed, to potentially introduce additional library programs to push back, and to challenge libraries and patrons to do more to combat this problem.

My audience will mainly consist of those who participate in the library system: librarians, and patrons. These two groups will be most likely to advance my cause because they participate in the system I hope to reform, and they will most likely have the same core values of information freedom as I do because it's an integral moral pillar of the library system. Librarians could work to raise patron and peer awareness of the relevance of the issue, and patrons can gain interest in participating in library programs, thus supporting the programs and the librarians, creating a cycle of support and growth in battling Banned Books in library systems.

Wednesday, October 28, 2015

Analyzing Context

Who, What, When, Where, Why, How?


Dumas, Robert "The Adventure of Captain Underpants - Banned Books Week 2010 Flyer" (9/21/2010) via Flickr
Attribution-NonCommercial-ShareAlike 2.0 Generic Creative Commons License


In this post, I will be reading the context of my public debate / controversy. To do so, I will answer questions important to understanding the context of this issue.

What are the key perspectives or schools of thought on the debate that you are studying?

  • Banning books is wrong and / or should be combated by libraries
  • Banning books is fine and / or should be left alone by libraries

What are the major points of contention or major disagreements among these perspectives?


What are the possible points of agreement, or the possible common ground between these perspectives?

  • Book banning and censorship limits information access for individuals

What are the ideological differences, if any, between the perspectives?

  • Those who see banning as something that needs to be combated tend to emphasize the importance of information diversity and public access
  • Those who see banning as something the library shouldn't deal with tend to emphasize separation of church and state, books are banned for reasons of merit, and proper context of information / materials

What specific actions do their perspectives or texts ask their audience to take?

  • Those who favor library intervention tend to ask readers to read banned books to see what they're missing, imagine what important or formative information may be concealed from people if libraries weren't involved, and spread the word about library initiatives to combat censorship.
  • Those who oppose library intervention ten to ask readers to read banned books to understand why they may have been banned in certain contexts, imagine what could happen if a risque or potentially inappropriate material was used in the wrong context, and spread the word about the reason and context of book banning.

What perspectives are useful in supporting your own arguments about the issue? Why did you choose these?

  • I agree with the perspective that libraries should intervene in book banning
  • Freedom of information is crucial to democracy, equality, and awareness of the world

What perspectives do you think will be the greatest threat to your argument? Why so?

  • The perception of importance of context is also a very important value to librarians as well as patrons and is a very strong argument against open access.
  • I may have to judge which is more important or turn the library's role into a way of re-defining context...

Reflection: After reading Addie and Ann's analyses of context, I was happy to notice that they had awesome, timely controversies. Mine may be a bit out-dated and in the background, but it's still going on and there's still debate, so I think my paper might play the role of bringing this controversy back into the spotlight.... hopefully. Their posts made me realize that the issue / perspective I can take on this controversy should include commentary about how we've been turning a blind eye to it for years, assuming it's solved by programs already in place while it still occurs. Perhaps I could go as far as introducing potential library programs to combat the issue?

Saturday, October 24, 2015

Audience and Genre

Who Will Care... and Where?


Kleis, Karen "The Reader" (11/17/2013) via Flickr. Attribution-NonCommercial-ShareAlike 2.0 Generic License

There are many venues for my text, as well as many genres which I could write in, both of which have certain audiences attached to them. Below, I have listed specific audiences that may be interested in the answers to the questions I posed, and have expanded upon where and how I might reach them. I have provided examples of each publication location and genres which I may use to target each audience.

Librarians

Librarians will want to know what other libraries are doing in order to better their own libraries and fight censorship.

Library Patrons

Library Patrons will want to know how their libraries help to fight censorship, and will also want to know more about banned books and places to access them.

Scholars in Information and Library Science

Scholars in the field will want to attain more knowledge about the relationship between libraries and censorship, and just how the two oppose each other.

Extended Annotated Bibligraphy

Organizing Research


Musgo Dumio_Momio "Zen librarian" (12/20/2011) via Flickr. Attribution-NonCommercial-ShareAlike 2.0 Generic License


To answer my questions regarding the role of libraries in book banning, I have gathered six new sources for Project 3, and have created an Annotated Bibliography to contain them.

Narrowing My Focus

The Role of Libraries in Book Banning


Madison Library "Banned Books Week 2014" (9/22/2014) via Flickr. Attribution-NonCommercial-ShareAlike 2.0 Generic License


After listing questions I had regarding the banned books controversy I hope to address, I have looked back at my list and chosen my favorite three questions. I will explain why each are important to answer in creating my argument.

Who protects freedom of information?

  • Libraries at their core are meant to protect public access to information and knowledge.
  • I hope to conduct research that leads me to discover other groups that are connected to libraries or that operate in a similar way / with a similar purpose to compare them.

How do libraries fight against censorship?

  • Banned Books Week is an enormous movement that has taken libraries across the world by storm.
  • I hope to conduct research that leads me to other processes by which libraries reject censorship.

Where does the concept of banning and censoring information come from?

  • I hope to conduct research that leads me to the sources of book banning so that I may compare them with libraries and analyze the relationship between libraries and these groups.

Questions About Controversy

Censorship: Banned Books


Muskingum University Library "Banned Books Display" (9/7/2006) via Flickr. Attributin-NonCommercial-ShareAlike 2.0 Generic License


I've decided to focus on the controversy surrounding censorship and banned books in libraries for Project 3. However, I'm still unsure of how I want to discuss the controversy, and what specific parts of the controversy I will address. In this post, I will figure out what I may still need to understand about this debate to achieve a position from which I can argue. I will postulate questions regarding key factors of my controversy in order to understand what things I may want to investigate and argue about.

Who

  • Who exactly challenges / bans books?
  • Who protects freedom of information?
  • Who decides how to deal with / respond to book banning and censorship?

What

  • What is the process of banning a book?
  • What makes a book a contender for being banned?
  • What are some key events in the history of censorship and book banning?

When

  • When did book banning and censorship actions peak?
  • When did libraries begin to fight back?
  • When was censorship at its lowest levels?

Where

  • Where do these books actually get banned from?
  • Where can you find exclusive sites for banned materials?
  • Where does the concept of banning and censoring information come from?

How

  • How do libraries fight against censorship?
  • How does book banning survive in this advanced day and age?
  • How can we put a stop to censorship?

Reflection on Project 2

The Potential Within Revision

English, Angi "Back Flip" (6/9/2010) via Flickr. Attribution0NonCommercial 2.0 Generic Creative Commons License

After completing my Rhetorical Analysis for Project 2, I'm feeling pretty good about my writing process and changes I made to get to my Final Draft. In this blog post, I will be reflecting on my revision process.

What was specifically revised from one draft to another?

  • I mainly fixed punctuation mistakes and inserted sentences that created a larger idea for my analysis.

Point to global changes: how did you reconsider your thesis or organization?

  • I re-arranged my thesis to flow better with my introduction, but otherwise my thesis fit my organization perfectly.

What led you to these changes? A reconsideration of audience? A shift in purpose?

  • After talking with my professor, I realized the importance of including some larger purpose for my audience to pursue. While my purpose remains the same, I decided to connect with my audience on a greater level and create a better conclusion by giving them a compelling and specific call to action.

How do these changes affect you credibility as an author?

  • I think these changes will enhance my credibility, because there is no way for them to dissuade my audience as far as I can tell; they will only enhance the reading experience of my audience.

How will these changed better address the audience or venue?

  • These changes will allow the audience to maintain a much more energetic focus on the issues within my example source, and see how those issues can be manipulated rhetorically.

Point to local changes: how did you reconsider sentence structure and style?

  • I re-read my analysis and looked at the flow it had. I manipulated sentence ordering and structure to allow for an easier transition from idea to idea and make the paper seem like a logical flow of thought.

How will these changes assist your audience in understanding your purpose?

  • These changes will make ideas and their relationships with each other clearer to my readers. If they see rhetorical analysis as a logical flow of thought about a text as opposed to shifting ideas and analysis, they may be able to get a better grasp of how to practice it.

Did you have to reconsider the conventions of the particular genre in which you are writing?

  • Not really. The great thing about this genre is that large paragraphs and sentences are the norm, and I had a lot to analyze in my text, so it was a perfect combination!

Finally, how does the process of reflection help you reconsider your identity as a writer?

  • This has helped me to better understand my role and what I am capable of. I can change my audience's perception of analysis in so many ways just by how I write and how I alter my writing for them. I have a lot of power both in my initial writing process, and especially in my revision.

Reflection: After looking over Mark and Katherine's Reflections, I saw that we all struggled a bit with this Project, but that we eventually figured it out in our revision processes. While Katherine seemed to struggle with her credibility as a writer, Mark appeared to have more issues with the context of the analysis. They both went through what I did, and it just goes to show that we're all encountering new ways of writing and understanding texts. Looking back at Project 1, I realize that I should have gone to office hours for more help understanding the situation of that project and get advice on how to place my issue in context. Now, I plan to alter my writing process so that it includes at least one meeting with my professor to clarify my position as an author in the context of a project. 

Friday, October 23, 2015

Rhetorical Analysis


Rhetoric Reveals the Benefits of Religious Texts


Ossama, Rana "the book" (10/25/2007) via Flickr. Attribution-ShareAlike 2.0 Generic License

Why does religious censorship continue to thrive? To answer this question, Margaret Auguste appeals to her audience - fellow school librarians as well as parents, administrators, and the library community at large - by using personal stories of encountering this issue to build their credibility with the audience while convincing them of the presence of  'religious' censorship, emotionally compelling narratives of a certain spiritual book that is a prime example of 'religious' literature being suppressed in schools and homes, and a multitude of convincing statistics that illustrate the positive link between interaction with spiritual texts and growth in youth in her essay "Those kinds of books: religion and spirituality in young adult literature.” The author's adaptive use of rhetorical strategies account for her credibility in the context of her essay, her audience's reactions, and the enormity of the issue she is challenging; these strategies serve to strengthen her argument overall. By observing Auguste's use of rhetoric, we may be able to harness the skills of rhetorical analysis to defend intellectual freedom and stand up to censorship - we can ensure that all people have access to vast resources of information and maintain the integrity of Library and Information Sciences.
Auguste uses personal testimony and experiences to build her own credibility as a school librarian, acknowledge counterarguments of her co-workers, and describe the extent of the taboo on religious literature in school libraries and society. She begins her essay with the following testimony: "’Are you sure it is okay to have those kinds of books in the library?’ my colleague asked me in a hushed tone, while perusing several books featuring religion that I'd chosen for our annual eighth grade realistic fiction project. He then furtively glanced around to make sure no one outside of our group could hear our conversation. My other colleagues also voiced their concerns, nervously reminding me of another teacher who had recently been the subject of an administrative reprimand over a book she had given to a student that the student's parent had found extremely objectionable.” This experience paints the author as an independent thinker, and as a librarian that upholds the values she was taught; her coworker’s criticism and description is almost derogatory, clearly showing her to be the more reasonable of the two. Such an inference filters her coworkers’ thoughts and concerns on the issue of religious books in school libraries into an unreasonable and cowardly category. They are too afraid to give a child relevant books because they don’t want parents to become angry with their choice - Auguste shows that librarians have lost control of book selection, and she is taking that control back. This testimony also introduces her audience to the concept that religious censorship still thrives in school libraries today. The fact that a librarian would face reprimand over book choice because a parent was uncomfortable is portrayed as silly; librarians are trained individuals educated specifically to choose the right book!  Intellectual freedom is at the core of Library and Information Sciences, it is absurd to admonish experts in maintaining information access for doing just that. This perspective may make her audience uncomfortable, as parents are among the group. However, this may be intentional, as Auguste later says, “The provocative nature of these topics ignites conversations that are essential to the development of the critical thinking skills that adolescents require to become insightful and intelligent adults.” Could the creation of this discomfort be meant to generate philosophical debate among her audience as well? Auguste additionally describes her role in this eighth grade “realistic fiction project” as a necessary piece of a capable group to bring influential and timely books to children for reflection. This makes her appear humble to the audience, which would earn her their respect, and may also justify her basic argument. Religion and religious issues play a major role in many issues today, such as religious conflict in Israel leading to widespread violence and discrimination, so why not give students religious books to enhance their perspectives of an issue? Auguste exemplifies the role of standing up for the core values of our field and for those whom our field serves, and we would do well to see the importance of her stance. Rhetorical strategies such as personal testimony can strengthen an argument when used well, and the same principle applies to the similar strategy of ‘storytelling.’
The author employs emotionally compelling narratives to change her audience’s perspective of religious texts, provide an example of ‘inappropriate’ material, and create a tangible connection between access to spiritual texts and development of youths. Our compelling school librarian chooses to describe the basic plot and message of a book she selected for her eighth graders by saying, “I had fallen in love with the book Does my Head Look Big in This by Randa Abdel-Fattah… The story centers on a Muslim teenager, Amal Abdel-Hakim, and the ramifications of her decision to wear her hijab all the time...Amal is taken aback by the intensity of the emotions the public expression of her religion stirs in others and within herself, but her courageous struggle brings results; it strengthens her determination to express herself, becoming an essential part of her self-identity.” This portrayal of a religious text may change parents’ and academics’ perspectives of what a religious text is and what it has the potential to do for a young adult audience. For instance, most parents would take a quick glance at the book, see that it centers around something Muslim, and immediately discard it for another. However, Margaret Auguste reads the book to understand its real message. This example may function to make parents and administrators question their actions in reprimanding librarians for similar book choice, and to enlighten her audience about the content of most ‘religious’ young adult novels. She shows them as books that allow young adults to explore issues of religion and self-identity, and makes it plain that they are a positive influence on readers. Auguste promotes the idea of multiculturalism in literature, which is essential to any kind of information and consumer equality. Her description of the main character and inclusion of quotes from the book also leads her audience to believe that youth can relate to their situations and plots overall. Amal’s trepidation, “I can’t sleep from stressing about whether I’ve got the guts to do it. To wear the hijab full-time;” her friends’ reaction, “ [they thought I wasn’t really] into the whole Muslim thing,” and her teacher’s assumptions, “She adds to Amal’s distress by mistakenly assuming that she  is a victim, forced by her family to adhere to Muslim doctrine,” all create a situation a majority of young adults and her audience can relate to. Most teens experience some form of alienation and misunderstanding as they mature, and these books could give them a sense of comfort in that they aren’t the only ones going through difficulty. Auguste champions the idea that the field of Information Science requires diversity of information sources as well as acceptance of that diversity and those it represents. The use of rhetorical ‘tools’ such as emotional narratives contribute to an author’s power over the audience, usually by  inciting a deep emotional response and tend to function as a method of changing the audience’s perspective.
Margaret Auguste uses statistics to show her audience that religion is an established integral component of children’s lives, and maintain her audience’s focus on the censorship controversy as opposed to religious controversy in general. She cites the National Study of Youth and Religion to show that a majority of teens are religiously involved and feel that religion  is a significant part of their lives: “80 percent of the respondents self-identified as Protestant, Roman Catholic, Eastern Orthodox, Mormon, or Jewish… 71 percent had a very close relationship with God… 80 percent had few or no doubts about their beliefs in the past year.” This supports her argument for the integration of religious texts by making the suggestion that religion is already a key factor in young adult lives; the texts will cultivate religious growth. She mentions that the study defined religion in a sense that can encompass teens who are atheist or agnostic: “They defined religion as a formal organized system of beliefs, public rituals, and doctrine that stems from tradition and practice, that is often inherited and passed down generation to generation, and includes both atheism and...cults.” This effectively re-defines what religion can be for the audience, again changing their perspective on what roles and structures religions can have to favor her argument. Also, by giving this expanded definition, she doesn’t exclude certain members of her audience who may practice a commonly questioned faith. Auguste manages to use a study about religion to encompass all parents, librarians, and administrators in a comfort zone that doesn’t judge validity of religions, which keeps her audience focused on the issue of the inclusion of spiritual texts instead of the spiritualities themselves. Startling statistics can change the perspective of an audience, guide them along a ‘logical’ train of thought, and strengthen an author’s argument overall; in a similar vein, scholarly sources can enhance the logical appeal of a text.
Finally, the author inserts scholarly opinions and theories into her essay to provide a logical link between spirituality and child development, portray spirituality as akin to moral and personal values, and describe how youth can gain a sense of identity via religious texts. Auguste presents four theories of psychologists and psychosocial academics that agree on a fundamental level - development is affected by spirituality: Plaget observed that youth grow as individuals through innovative concrete thinking, which is enhanced by discussions of topics including religion; Kohlberg theorizes that “Morals, values, and how they impact decision-making skills become exceedingly important during adolescence...Religion with its sense of values and morality may assist in these decision-making skills”; Erikson claims that social constructs - i.e. religion - are crucial to “the development of identity”; and Fowler links these three theories into one that specifically relates spirituality and child development. The fact that the author relies so heavily on sources of academic merit conveys to her audience that her argument has a strong base in logic. All four of these differently focused theories point to an important link between religion and young adult maturation, making her argument that such a connection should be protected and encouraged all the more irresistible. To dispel any audience confusion about the term “spirituality,” Auguste sets out to define it and inform her audience: “It consists of practices, beliefs, and experiences that create a commitment to a way of living that may or may not be influenced by traditional religion or doctrine.” Not only does this create a similar rhetorical outcome, this definition is extremely similar to her earlier interpretation of “religion.” She creates a distinction between the two - “A person most often inherits religion but makes a conscious decision to be spiritual.” - which combines with the definition to create a sense of inclusion. The author is effectively including those who might have felt left out earlier in her essay because she made no effort to include the religiously ambiguous. Additionally, even if the readers are confused about religion’s role in the conflict of banning spiritual books, they can still understand her argument  on a basic moral level. The author saves her most supportive scholarly sources for last to reaffirm the strength of her position to her audience. By immediately following the Search Institute’s study which showed that, “the majority of teenagers… would welcome an opportunity to discuss their ideas about religion and spirituality, and the role they play in their lives, with a caring and nonjudgmental person” with children’s literature expert Trousdale’s opinion that, “stories invite children to enter a world not their own, vicariously identify with the story’s characters and their situations… Such books may resonate with the child’s spiritual experiences or encourage them to think beyond their experiences,” Auguste implies that it is entirely logical and proven that religious texts have a positive impact on children. When an author uses academic sources, they are usually attempting to appeal to their reader’s sense of logic and imply to the reader that their argument is supported by facts.

The effective use of rhetorical strategies has an overwhelmingly positive effect on the strength of an author's argument. Any author will use rhetorical strategies to connect with their audience, build credibility, impact emotional response, and display logic. As we were taken through an analysis of Margaret Auguste's essay, we saw how each strategy had a vast diversity in impact on her essay overall. Auguste explains how and why our religion-phobic schooling and society impact youth access to books through personal testimony, compelling narratives, statistics, and scholarly sources. In our field, book-banning, censorship, and lack of diversity are monumental controversial debates that seem to have no end. How will you interpret the core values of our field? How will you support your stance with rhetoric? Don’t let others make decisions for you when it comes to freedom of information - fight to be heard!

Works Cited
Auguste, M. (2013). Those kinds of books: religion and spirituality in young adult literature. Young Adult Library Services, 11.4, 37+. Retrieved from: http://go.galegroup.com.ezproxy2.library.arizona.edu/ps/i.do?p=AONE&u=uarizona_main&id=GALE|A337071005&v=2.1&it=r&sid=summon&userGroup=uarizona_main&authCount=1

Punctuation, Part 2

Sometimes You Gotta Break the Rules


Sean "Legibility is terribly street." (8/5/2008) via Flickr. Attribution-NonCommercial-ShareAlike 2.0 Generic License

I will analyze three more topics I found in the "Punctuation" section of Rules For Writers that I could improve upon.

Comma     ,

  • Do not use a comma to set off a concluding adverb clause that is essential to the meaning of the sentence
  • Do not use commas to set off restrictive or mildly parenthetical elements
  • Do not use a comma between compound elements that are not independent clauses
    • My punctuation: The author employs emotionally compelling narratives to change her audience’s perspective of religious texts, provide an example of ‘inappropriate’ material, and create a tangible connection between access to spiritual texts and development of youths." 
    • I usually use commas correctly. But overall, the massive rules and exclusions that apply to commas always confuse me, so I tend to use them whenever a pause is needed in a sentence for flow or clarity. This means that sometimes I break these rules, but they usually seem like they'd be perfectly fine uses of the comma... I'm a bit stubborn about changing how I use commas because it would become too tedious for me to write according to every little rule and obey each exception to it.

Quotation Marks     "   "

  • Colons and semicolons
    • My punctuation: Amal’s trepidation, “I can’t sleep from stressing about whether I’ve got the guts to do it. To wear the hijab full-time.”; her friends’ reaction, “ [they thought I wasn’t really] into the whole Muslim thingand her teacher’s assumptions, “She adds to Amal’s distress by mistakenly assuming that she  is a victim, forced by her family to adhere to Muslim doctrine.” all create a situation a majority of young adults and her audience can relate to.
    • I thought that colons and semicolons would be same as commas - that they should be placed inside the quotation marks for proper punctuation - but it seems that they are a special case and I will make a note of it when I compose sentences around quotes.

Dash     -

  • Set off parenthetical material that deserves emphasis
  • Set off appositives that contain commas
  • Introduce a list, restatement, amplification, or a dramatic shift in tone or thought
    • My punctuation: She creates a distinction between the two - “A person most often inherits religion but makes a conscious decision to be spiritual.” - which combines with the definition to create a sense of inclusion.
    • Recently, I've begun to incorporate the dash more in my writing, and I'm glad to learn the uses of this punctuation. Hopefully, I can effectively incorporate what I've used in my writing, but for now I'll do my best to remember these functions of the dash and work from there.

Saturday, October 17, 2015

Paragraph Analysis 2

Caution: Seeking Revision


staand "Sign Edition Warning" (4/17/2015) via Pixabay. CC0 Public Domain License.

I created a copy of my Draft for Paragraph Analysis in which I went through each of my body paragraphs to observe their structure and general effectiveness in my writing.Overall, my paragraphs are well-structured, on-topic, developed, and coherent. One trade-off which comes with the genre of analysis and my choices of organization is that while my paragraphs are much more developed and coherent, they are also lengthy. I have occasional issues with referencing evidence concisely, but otherwise my paragraphs seem fairly well-rounded.

Revised Conclusion

That's All, Folks!


Sherrill, Dorothy "Little Gray Mouse - The End" (3/4/2013) via Wikimedia. Public Domain.

Just as I have done with my introduction, I will do with my conclusion! I have torn apart my original conclusion and created a new one. I like my newest conclusion because it's longer and more developed than my first conclusion. This conclusion also happens to be a bit more straightforward with my readers, and is geared towards explanation of what they have observed throughout my paper. It specifically Looks Forward at what the audience of my peers can accomplish with the skills that they have acquired over the course of the analysis.

Old Conclusion

By analyzing Margaret Auguste’s opinionated essay, we have come to understand some basic rhetorical strategies and the overall process of rhetorical analysis. Any author will use rhetorical strategies to connect with their audience, build credibility, impact emotional response, and display logic. Each of these specific effects will reinforce an argument. Auguste explains how and why our religion-phobic schooling and society impact youth access to books through personal testimony, compelling narratives, statistics, and scholarly sources. How will you support your own claims about information resources?

New Conclusion

The effective use of rhetorical strategies has an overwhelmingly positive effect on the strength of an author's argument. Any author will use rhetorical strategies to connect with their audience, build credibility, impact emotional response, and display logic. As we were taken through an analysis of Margaret Auguste's essay, we saw how each strategy had a vast diversity in impact on her essay overall. Auguste explains how and why our religion-phobic schooling and society impact youth access to books through personal testimony, compelling narratives, statistics, and scholarly sources. How will you support your own claims about information resources?

Revised Introduction

Awkward Introductions...


Post Memes "It was a very awkward introduction." (8/7/2014) via Flickr. Attribution 2.0 Generic Creative Commons License

I have deconstructed my old introduction and begun anew! I like my new introduction because it's shorter and concise, whereas my original was slightly rambling and may have been confusing. I have decided that an interesting question would be a better hook to draw in readers than compelling facts - even if the facts were about Harry Potter - as a thoughtful question will engage my readers just as much and be far more relevant to my analysis than a somewhat random mention of the banning of a famous book series. I also altered my introduction to fit the body paragraphs I have written, and I feel that it does a much better job of forecasting. I also decided to keep my thesis statement relatively the same, because my peer reviewers seemed to like it the way it was, and I didn't see a way to improve upon it much. To show you the difference, I've included the old and the new introductions below:

Old Introduction

The banning of books including the Harry Potter series and the Chronicles of Narnia by Christian groups baffled many young readers and librarians across the country. Why does religious censorship still exist in our advanced and open society? In her essay "Those kinds of books: religion and spirituality in young adult literature," Margaret Auguste appeals to fellow school librarians as well as parents, administrators, and the library community at large to shatter the taboo on the presentation of 'religious' books to children. The author achieves this message by using personal stories of encountering this issue to build their credibility with the audience while convincing them of the presence of 'religious' censorship, emotionally compelling narratives of a certain spiritual book that is a prime example of 'religious' literature being suppressed in schools and homes, and a multitude of convincing statistics that illustrate the positive link between interaction with spiritual texts and growth in youth.This author uses a well-organized arsenal of rhetorical tools to enlighten her audience's perspective on the issue of denying children access to spiritual texts, and inspire within them a motivation to dismantle the system which denies children access to 'religious' materials. By observing Auguste’s use of rhetorical strategies, we can further our own knowledge of rhetorical analysis and strategies.

New Introduction

Why does religious censorship continue to thrive? In her essay "Those kinds of books: religion and spirituality in young adult literature," Margaret Auguste appeals to her audience - fellow school librarians as well as parents, administrators, and the library community at large - by using personal stories of encountering this issue to build their credibility with the audience while convincing them of the presence of 'religious' censorship, emotionally compelling narratives of a certain spiritual book that is a prime example of 'religious' literature being suppressed in schools and homes, and a multitude of convincing statistics that illustrate the positive link between interaction with spiritual texts and growth in youth to answer this question. The author's adaptive use of rhetorical strategies account for her credibility in the context of her essay, her audience's reactions, and the enormity of the issue she is challenging; these strategies serve to strengthen her argument overall. By observing Auguste's use of rhetoric, we may become more skilled in rhetorical analysis and in developing our own arguments.

Reflection on Project 2 Draft

Well This Stinks... of Genius!


Skaffarl, Miikka "Stinker" (8/4/2010) via Flickr. Attribution-NonCommercial 2.0 Generic License

I peer-reviewed Chingiz, Chloe, and Annelise's Drafts. By looking at the methods and works of my peers, I was able learn more about our project. In this post, I will look at the effectiveness of my own Rhetorical Analysis Draft.

Thesis

My thesis is pretty lengthy, and has multiple parts. However, that is because it mentions specific rhetorical strategies, describes their impact, and fleshes out the rhetorical situation of the example.

  • My peer reviewers never specifically identify my entire thesis, so I am a little concerned about how discernible it is. Otherwise I have received very supportive comments about the relative parts of my thesis which give me the sense that it's still a good statement in the end.
  • I might need to make my thesis more obviously different from the rest of my introduction

Organization

I have decided to organize my essay by introducing my example opinionated text, analyzing each strategy I found most prominent in the body (one paragraph per strategy), and wrapping it up by emphasizing that rhetorical strategies impact arguments.

  • Initially, some people who commented on my outline misinterpreted my layout, thinking that I was falling for the 'trap' of just using ethos, pathos, and logos as my main paragraphs. In my draft, however, my organization was specifically recognized as divided by strategy, which made me very happy!
  • It seems as though my organization does not need to be altered

Rhetorical Situation

I identify the rhetorical situation initially in my intro by mentioning the controversy being covered, and the relevant audience. Later, in each body paragraph, I connect each strategy back to the rhetorical situation - specifically audience members, concept changes relevant to the issue, and the credibility of the author.

  • My peer reviewers didn't seem to have any questions about the rhetorical situation of the text, and made a couple comments that affirmed that I was creating a connection between the rhetoric of the essay and the audience, as well as the overarching issues of the essay. This makes me feel as though I have done well, but because there was no specific affirmation of rhetorical context, I am slightly uneasy...
  • I may have to be more direct in defining just what the rhetorical situation is

Rhetorical Strategies

For each rhetorical strategy, there is a - on average - page long paragraph to describe all the different / significant things that strategy achieves. I relate each of them back to the author's goals, their rhetorical situation, and the actual effect they have. I introduce each paragraph with a topic sentence describing the strategy's overall effectiveness, and give a broader vision of how all the strategies affect the essay as a whole in my thesis.

  • The comments I received pertaining to rhetorical strategies were very positive! It seems that I've fulfilled the requirements in that regard, but again, no one has directly told me that I was successful.
  • I will make sure that I have adequately developed the rhetorical strategies used

Evidence

I only selected strategies which were greatly supported and used in the text. I give at least two specific examples per strategy and explain their relevance effectively.

  • It turns out that I could do a better job of effectively incorporating evidence into my analysis. For the most part, my evidence is there, but my peer reviewers pointed out that it tends to be a bit chunky and difficult to process. I also made a claim that may not be supported by the text!
  • I will revise my examples to be more concise and supportive of my claims

Conclusion

My conclusion ends with a question - a personal challenge to my audience which relates to our own rhetorical situation.

  • The only comment I received on my conclusion suggested that I not be so direct by using a question, but pointed out that it may not be an issue of correctness, but more one of style.
  • Despite opinion, I resolve to end with the question I formulated

Thursday, October 15, 2015

Punctuation, Part 1

People Who Do Not Use Punctuation Deserve Long Sentences


WebDonuts Funny Comics "WebDonuts-Punctuation-Cartoon" (4/22/2013) via Flickr
Attribution-NonCommercial-ShareAlike 2.0 Generic Creative Commons License

I will analyze three topics I found in the "Punctuation" section of Rules for Writers that I could improve upon.

Semicolon    ;

  • Avoid common misuses of the semicolon
    • There are many exceptions to the common misuses of the semicolon, so even though I feel that I have gained a much better understanding of the semicolon, I will still be on the lookout for any ways in which I may misuse it. I used to use a semicolon between a subordinate clause and the rest of the sentence, and I hope to remedy this.

Colon    :

  • Avoid common misuses of the colon
    • I will occasionally decide to place a colon between a verb and its object or complement. This is usually because I mistakenly identify the object / compliment portion of the sentence as a list. Hopefully my enlightened eyes will be able to accurately judge the true situation of the sentence.
  • Use a colon according to convention
    •  Until recently, I thought salutation in a letter was followed only by a comma, but apparently it's followed by a colon. I never use them this way, I always use commas, and so - it seems - does everyone else. I am considering whether I should remedy this when I send e-mails, but I'm fairly certain that commas have also become an accepted convention in letters greetings.

Apostrophe    '


  • Use an apostrophe to indicate that an indefinite pronoun is possessive
    • I hesitate in using commas for words like something's or no one's. This is most likely due to my issue with its, as you will see below. I have always been aware that I misuse apostrophes for possessive pronouns, so I question using apostrophes for any pronoun that is possessive in a failed attempt to avoid making the same mistakes.
  • Do not use an apostrophe to form the plural of numbers, letters, abbreviations, and words mentioned as words
    • I was actually taught to use apostrophes for numbers, and it still feels strange to me to write 1,000s instead of 1,000's. The weird thing is, the Blogger grammar editor is prompting me to alter the correct version, but is letting the number with an apostrophe go unquestioned... Regardless, I need to break myself of this habit - for some reason I really like the way the apostrophe separates the letter from the number. Hopefully I can get over this!
  • Avoid common misuses of the apostrophe
    • I will tend to slip up on this a lot. I use apostrophes in possessive pronouns such as its too often, and I always end up having to take an extra step in my proof-reading process to eliminate all of them.

Reflection: As I peer reviewed Chingiz and Chloe's Drafts, I only noticed a couple punctuation issues, and only one of them related to my personal struggle with punctuation! 
Chloe, like me, had an issue with apostrophes:
"Obviously, you would take your friends side if they framed such a dramatic argument."
In this case, friends should become friend's as it is possessive. 
Chingiz, on the other hand, knew exactly how to use a colon:
"Mr Daines does not make any radical statements that would severely upset any possible left-wing readers: he still claims that renewable energy research is an avenue that must be pursued."
He uses the colon to lead into an elaboration!
Overall, I get the sense that I'm one of the few people who still struggles with apostrophes, colons, and semicolons....

Tuesday, October 13, 2015

Draft of Rhetorical Analysis

Writing Under the Influence... of Confusion


Talbot, Brian "If You're Not Confused" (6/8/2006) via Flickr. Attribution-NonCommercial 2.0 Generic License


I have created a Draft of my Rhetorical Analysis for Project 2.

Hello  peer reviewers! Please feel free to tear this thing apart grammatically, structurally, and thematically. I would love feedback about organization, specific sentence structure, flow, and overall status of my draft. CAUTION: until Deadline #7 has officially ended, this draft will most likely still be incomplete. Please do not comment until this deadline is over, as I may still be in the process of copy-editing. Thanks for all you do, and criticize away!

UPDATE: Due to our conversation in class, I realized that my essay needed to be entirely re-worked! I should have a complete draft for peer review by late Friday morning.

Practicing Summary & Paraphrase

Presenting Information


Jones, Gwyneth Anne Bronwynne "Paraphrase_Graphic" (11/3/2013) via Flickr
Atribution-NonCommercial-ShareAlike 2.0 Generic Creative Commons License

In this blog post I will be paraphrasing and analyzing a great direct quote from my text that clearly portrays my author's opinion on the role of religious books in a child's life.

Original Source

Religious beliefs stem from the most important and revered aspects of our lives, our family traditions, values, culture, and experiences. Young adult books that courageously take on this sensitive subject often invoke a uniquely personal and sharp response. Therefore, it is no surprise that books that dare to feature young adults and their exploration of their religious and spiritual identity are at the center of a deeply personal and passionate debate that has become so contentious that many simply find it easier to not speak of it at all. As a result, religion has become a topic that is notable for its absence from bookshelves, booklists, literary magazines, and conversations. If it is spoken about at all, it's done only in hushed voices, making it truly a topic that is very much taboo.

My Paraphrase of Original Source

Margaret Auguste gives a clear statement of her view of how religious books affect children and their importance to identity, and contrasts it with the dominant perspective of her field. She explains that we all derive our beliefs from our experiences of things around us, and that spiritual texts offer young adults the chance to analyze their experiences, values, and identities in a very personal way. These deeply personal and emotional challenges to religious norms and societal norms cause adults to avoid these sources and dismiss them from the presence of youths, as it brings them unwanted emotional and religious conflict.

My Summary of the Original Source

The author feels that potentially insightful religious texts for youth have become taboo due to their deeply personal themes relating to religion and related values.

Project 2 Outline

Strategy and Structure

Kjeldor "Rock paper scissors lizard spock" (12/3/2011) via Flickr
 Attribution-NonCommercial-ShareAlike 2.0 Generic Creative Commons License

I will outline my Rhetorical Analysis for Project 2 in this blog post, and include advice on structure from Writing Public Lives.

The "Sections of the Paper" portion of the reading holds many pieces of advice when in comes to writing an analysis. It is important for me to shape my introduction around my purpose - or thesis - to help me achieve the goal of educating the new students in my field in rhetorical analysis (122). My thesis should be an analytical claim that is debatable, supportable, and explanatory of reasons behind that point (122-123). A tip is to draw strong conclusions in my body paragraphs, and that the final sentences of my paragraph must explain why each set of information is important to the persuasiveness of the text (124). In my conclusion I shouldn't just restate the main points that have come before it, I should consider the implications of my analysis and how they affect persuasiveness (125). I will keep these pieces of advice in mind as I construct an outline of my rhetorical analysis.

Introduction

  • Background information on religious censorship
    • Harry Potter / Chronicles of Narnia example?
    • types of books that fall into this category
  • THESIS: In her essay "Those kinds of books: religion and spirituality in young adult literature," Margaret Auguste appeals to fellow school librarians as well as parents, administrators, and the library community at large to shatter the taboo on the presentation of 'religious' books to children. The author achieves this message by using personal stories of encountering this issue to build their credibility with the audience while convincing them of the presence of 'religious' censorship, emotionally compelling narratives of a certain spiritual book that is a prime example of 'religious' literature being suppressed in schools and homes, and a multitude of convincing statistics that illustrate the positive link between interaction with spiritual texts and growth in youth.This author uses a well-organized arsenal of rhetorical tools to enlighten her audience's perspective on the issue of denying children access to spiritual texts, and inspire within them a motivation to dismantle the system which denies children access to 'religious' materials.

Body

  1. Use of personal stories, etc. to build credibility, see counterarguments, and inform the reader of the issue of censorship in schools
    • First paragraph quotes on a conversation with a fellow librarian
      • counterarguments
      • acknowledges that the issue lives on
      • shows credibility - position as librarian
    • Descriptions of personal experiences as librarian
      • credibility
      • issue
    • How this affects her rhetorical & argumentative strength
  2. Use of emotionally compelling narratives to change perspective of religious texts, provide an example of 'inappropriate' material, and show connection between spiritual texts and growth
    • "Does my Head Look Big in This" narrative
      • makes reader question why it's labeled as inappropriate
      • a religious text that doesn't preach (most common form of YA / CHILD literature?)
      • kids can identify with the main character
    • How this affects her rhetorical & argumentative strength
  3. Use of statistics and scholarly opinions to connect spirituality and growth in youth, show audience that religion is already an integral part of children's lives, and give evidence of how religious texts can help children find identity and spirituality
    • Statistics: National Study of Youth and Religion
      • shows that vast majority of children are already influenced by religion anyways
      • definition of religion attempts to encompass any moral system to create lack of exclusion
    • Scholarly opinions / theories
      • connection between spirituality & child development
      • spirituality has a similar inclusive definition akin to morals and personal meaning of life to make it seem more relatable
      • how children gain a sense of identity via spirituality & religious texts
    • How this affects her rhetorical & argumentative strength
      • majority of the article integrates data / evidence of scholars
      • makes her argument appear logical and acceptable
Conclusion

  • Rephrase thesis
  • Answer 'so what'? in context of how to analyze rhetoric
  • Connection to the field overall?

Reflection: As I looked over the outlines of Sam and Annelise, I become concerned that my outline may not be as developed or organized as it should be. I was also confused about whether I needed to create separate sections for Analytical Claims, as I just used them as my topic sentences for each body paragraph. Overall I'm pretty sure these differences just echo how each of us plans out our writing differently and shouldn't impact meeting the criteria for this post. Both Sam and Annelise had awesome outlines, and I can't wait to see the finished product they will create!